Description
HAN KANG - The Vegetarian
[Pre-order INFO]
📅 Sales period : Limited Quantity
✅ Release date in Korea : -
📦 Estimate shipping date : Sequential shipments from mid-November
* Orders will be shipped once all items, including those with the latest delivery date, are ready for dispatch
🏆 Prize Lists
* Winner of the 2016 Man Booker International Prize
* Winner of the
2024 Nobel Prize in Literature
* ONE OF ENTERTAINMENT WEEKLY’S “BEST BOOKS OF 2016 SO FAR”
* ONE OF TIME’S “BEST BOOKS OF 2016 SO FAR”
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[Korean Edition]
[British Edition]
- Written by HAN KANG
- Translated by Deborah Smith
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree.
Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.
[American Edition]
- Written by HAN KANG
- Translated by Deborah Smith
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams-invasive images of blood and brutality-torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.